Heroes Who Died Stupid Deaths

While there are several hero deaths that serve a purpose, some are just plain dumb and have no reason other than a lazy writer looking for a gimmick or a reboot. Here are some that I never liked:

The White Tiger

The original White Tiger was the first major Puerto Rican of the 70's. He was a kung-fu fightin' machine with perhaps one of the simplest costumes of all time.

He made his first appearance in "Deadly Hands of Kung Fu" magazine, but it was the Peter Parker the Spectacular Spider-Man comic series that introduced him to me. I instantly loved this guy and picked up every issue of PPTSM that had him in it. Eventually Marvel flopped out on him and had him give up the amulets that gave him the power. He drifted off into the sunset in the early 80's and such was life.

Until Marvel wanted a reboot. Rather than bring this character back and send him center stage (imagine how relevant he would be now and how cool it would have been to see him take on the Black Panther!), they opted to kill him off by being shot after being framed for murder. So this awesome hero's legacy is destroyed in his final minutes...go Marvel.

Hawkeye

Yes, I know his death was indeed awesome and he went out with a "Yippi Ki Ya" moment most heroes would love to have...until you realize that his death was literally a five-issue gimmick with no lasting effect. He literally was dead less than 12 issues of comic continuity, making his return in the "House of M" story that immediately followed.

He died during the Avengers Disassembled storyline fighting the Kree and a hundred other baddies outside what was left of the Avenger's Mansion. A stray shot sets off one of his explosive arrows and rather than take the quiver off and throw it away he chooses to explode in a Kree mothership. Indeed a boss death and worth noting.

But it's the after-effect that I hated. I liked the character and hated to see him die. His death was really a good storytelling blow to the Avengers and Marvel Universe...but we never had time to let it register before he was back. They wasted a perfectly good death scene for this gimmick.

Ant Man (Scott Lang)

While Hank Pym was indeed the original Ant Man, the one I actually grew up reading more about was Scott Lang. He took the reins in 1979 with Marvel Premiere 47 and stayed Ant Man possibly longer than Hank Pym himself.

This was (and is) who I consider Ant Man when I look at the Bronze Age of comics. He took the character in a very cool direction, and helped out in several different titles, even becoming a member of the Fantastic Four while Reed Richards was believed dead.

Unfortunately he didn't last forever in the role. In the same storyline that killed Hawkeye we saw Scott Lang die when Jack of Hearts came back from the dead and blew him up. No purpose or reason for anything...just stupid shock value at the start of this "ground-breaking" event.

Scary Heroes

Hey, it's time to get some free candy today from the neighbors! But before you do, let's remember some of the scarier "heroes" who tried to save the day from time to time even though they didn't look like Captain America.

Swamp Thing

I never really understood the appeal of this guy, but I used to watch him on Nicolodean's late 70's/early 80's comic book show where they read comic books with sound effects. Definitely low-key for a kid's show, but I loved it (I still hear the theme song of "Flight of the Valkyries" every time I go through the back issues of an old comic store).

From what I understand the comic took a freaky turn after he became a part of the Vertigo line. He's recently returned to the DC universe as the "big reveal" of the Brightest Day storyline.

The Spectre

Ok, so he's not that terrifying to look at, but you'd better believe that when he showed up to hurt you, it was not going to end well.

Jim Aparo took this otherwordly character and made him one serious avatar of justice, having him deal with criminals by cutting them in half with giant scissors, turning them into a wooden statue before cutting it to pieces with a buzzsaw, and having their flesh melt off. Yep, he was someone even Batman thought was too tough on bad guys.

Aparo's entire run can be found in a trade paperback collection that you really want to read. Even though the Spectre today has been turned into a caricature of himself, the Aparo version will make you respect him again.

Deadman

Again, not scary to look at, but how tough must it be to be a superhero no one else can ever see or talk to?

He can possess anyone and has often gotten involved in many JLA adventures and teamed with Batman quite often in the original Brave and the Bold series of team-ups. The thing that really makes him fresh and tragic is the fact that he was the bearer of the White Lantern ring for a while, got to come back to life and be normal again, and then died saving Dove only to become Deadman again rather than have peace in the afterlife. I have to give DC credit on this one: they really did it right for this character in recent books.

Neal Adams' work on this character is unparalleled. While there have been a number of folks who've drawn him, I think Adams still stands as the best.

The Phantom Stranger

While Deadman was the hero no one could see or hear, the Phantom Stranger is the hero no one understands. DC has never (to my knowledge) given this hero a true origin--and I'm absolutely fine with that! Wolverine shall forever stand as a lesson for those who wish to take the mystery man and give him a backstory thinking it will make him interesting. Wrong move, Marvel!

What powers does the Phantom Stranger have? Mysterious magic stuff. Nothing definite, but he can pretty much defend himself against most magic attacks. He appears when needed and disappears immediately afterward. He's never been a regular member of any team, and has pretty much kept the same costume since his first appearance. Like the character, the look is timeless and always a fun read.

Werewolf By Night

Jack Russell (yep, just like the terrier) became Marvel's Werewolf by Night every time the full moon came out (which in the Marvel Universe was whenever he needed to become the monster rather than once a month). And he somehow always wore green pants. I guess he got his clothes from the same color-changing tailor the Hulk got his always-purple pants from.

I don't know how Marvel managed to keep this character going through his own series for so long, but they did. The gimmick seems simple enough--man becomes wolf, doesn't want to be wolf, tries to find cure while not hurting those he loves, etc--yet he found his way working through a number of Marvel titles, helping Spider-Man and even fighting Dracula himself. The title even introduced the world to Moon Knight, who was originally a werewolf-fighting hero.

Ghost Rider

I couldn't finish the list without including this guy, the original Spirit of Vengeance. He suffered a rather less-than-stellar movie adaptation (and a sequel that will at last give every comic fan something they've always wanted to see: Ghost Rider using the bathroom), but the title started out interesting enough.

Ghost Rider was a member of the Champions for the entirety of their existence, and he was a part of the new Fantastic Four along with Wolverine, Hulk, and Spider-Man for a very short bit.

It was very fortunate Johnny Blaze became Ghost Rider. Think of how much less you would respect the hero if his secret identity was Cecil Feather.

The Legion of Monsters

I'm just throwing this in to grab a few remaining ones I missed. Morbius, Man-Thing, Werewolf by Night (as opposed to Werewolf By Day, which isn't nearly as scary) and Ghost Rider teamed up to fight the baddies for an issue of Marvel Premiere.

Give Marvel credit on this one, it was a fun little group. I'm just glad they didn't throw Howard the Duck in there with them.

Now go grab some free candy!

Reasons the 90's Almost Killed Comics (Part 2)

Last week we looked at the first of my list of why the 90's are the "Dark Ages" of comics. Here we go with some more:

1. Feral Wolverine

I have to admit that stealing the adamantium from Wolverine by having Magneto rip it from his bones was a pretty cool idea. I give them points for being daring as far as that goes. And letting him have bone claws was pretty cool as well because that meant his claws were actually a part of his mutant abilities and it was a shocker to see them pop out.

And then Marvel got greedy.

For some strange reason the Marvel writers decided to take things to the extreme by having him slowly turn into an animal. The decision to make him an actual wolverine that had mutated apparently raised its ugly head again and they brought him down. He eventually went to wearing a bandana and even a ninja mask before it was all said and done.

2. Jackets and Pouches Everywhere

I can appreciate how comics try to stay relevant to the times with some changes. In the 90's, things went crazy. The X-Men were the epitome of crazy as far as costumes went.

I don't know if Xavier kept it freezing in the mansion or of they were just cold-natured, but for some reason jackets were in style. Gambit wore his well and it was cool. Everyone else just ripped him off.

Dazzler (a hero who shouldn't be in any comic) wore a jacket. Rogue wore a jacket. Jubilee wore a coat. Cyclops had more pouches than Batman's utility belt. But let's not leave out the Avengers, who loved their jackets too.

Black Knight wore one over his armor. Sersi wore one (sleeves pushed up, of course) over her costume. Crystal, the Wasp, Wonder Man, Firestar, Jusice and even Black Widow sported jackets during the 90's. I don't know why it became the norm for Marvel heroes, but they definitely weren't afraid to put them out there.

Eventually jackets phased out for a while and spandex made a return, but the damage had been done. At least Spider-Man never wore a jacket...unless you count the Scarlet Spider's hoodie.

And don't get me started on DC's Vibe. That costume just has no explanation. 

3. Bloodwynd

The 90's gave us a number of weird heroes, but we can't skip Bloodwynd. I'm the first to admit I wasn't a huge Justice League fan, but when I saw him show up in their confrontation with Doomsday (just before he killed Superman) my first thought was "When did Spawn join the JLA?" This character was an unabashed ripoff of Spawn and I have no idea how they avoided a massive lawsuit.

Just as quickly as he appeared, he was gone. I don't know that he's made any major impressions in the DC universe in over a decade. As a matter of fact, I doubt he made it through the recent reboot alive.

I have no idea if you should blame the writers for not knowing what to do with the guy, or the character itself, but Bloodwynd was a ripoff that stumbled out of the gate. But hey, at least he wasn't wearing a jacket.

4. Destroying Major Heroes...Then Bringing Them Back

The purpose of a reboot is to give us something new. Maybe sales are flagging on a title and they need to give the old horse a shot in the arm. Maybe new writers come in with new ideas. Or maybe a hero has just outlived their usefulness. For whatever reason, reboots are a hit-and-miss affair.

The 90's were brutal to the major heroes. Last week I talked about how Marvel tried to replace Spider-Man, but DC went ape-crazy in the 90's with wiping out their crew...though most of those deaths were short-lived.

So what did they do in the 90's? Well, they killed Superman (for a few issues). They broke Batman's back and replaced him with Azrael, who eventually went crazy and had to be put down by a healed-up Bruce Wayne. They turned Green Lantern into a crazed homicidal maniac who killed Sinestro with his bare hands...along with several members of the Green Lantern Corps. Then eventually he became Parallax, died saving the universe, became the Spectre, and then came back as Green Lantern again.

Many publishers would stop there, but they didn't. They had Aquaman lose his hand to piranhas and decide getting a harpoon/hook thing in there was a bright idea. They also gave him a new long hair and beard look that was supposed to make him "edgy". He stayed like this for a while, then they gave him a magic "water hand".

They killed Green Arrow with a bomb, until Parallax brought him back just before he died himself. They killed Hawkman and brought him back again thanks to his reincarnation powers. They didn't kill Martian Manhunter, who didn't deserve the pass but they made up for it big time by killing him off in the mid-2000's.

And hey, Marvel had their fun too. Besides replacing (and then bringing back) Spider-Man, they went brutal on their guys. Wolverine lost his adamantium through having it ripped from his very pores. The Fantastic Four and the Avengers were thrown to a new universe for a 12 issue "Reborn" reboot. They destroyed the Avengers again and gave us such classic "extreme" teams as "Force Works" (remember them?). Then Marvel had an "extreme fest" by giving us so many X-Men titles to follow that it was impossible to understand where any hero was supposed to be at any time. X-Treme, X-Men, X-Factor, X-Force, X-Man, and so many other titles brought to you by the letter "X".

The thing that annoyed me about it in the 90's was how short-lived it all was for the most part. In some cases it lasted for a couple of years, while in others the changes were mere months before you could see things reverting back (Superman was foreshadowed as back in the game almost immediately). On the other hand, it was a good thing those changes were short. Most of them were horrible choices.

Reasons the 90's Almost Killed Comics

While the 70's and 80's may have really helped comics, it was the 90's that almost killed them. Many people call the 90's the "Dark Ages" of comics, and it's easy to see why. Here are a few reasons:

1. Heroes Reborn

While DC got all the press for their recent reboot, Marvel tried it in the 90's with horrible results. The Avengers and the Fantastic Four were sent to another dimension, and we were treated to 12 issues of "meh" at best storytelling.

Marvel farmed out the work on their major titles to Jim Lee, Rob Liefeld and others at Image Comics. It was a "daring" move that they hoped would generate sales. Instead, the 12 issues we have of this storyline through various titles were met with confusion and ridicule in many instances. I mean, when Captain America is stacked more than Power Girl, you should see problems coming.

While they did manage to bring the team back to the "real world" later, they can never fail to admit the idea stunk. The concept might have been good, but their execution left a lot to be desired. You can get the trade paperback editions of their storylines now if you need a good laugh.

2. The X-Men Get a New Title...and a Million Copies of It

Any avid fan of The Uncanny X-Men from the 80's still had some hope as the 90's rolled in. Jim Lee was the top artist out there, and when we were told he'd be taking over a new X-Men title we were thrilled. You were hard-pressed to find a comic book fan who wasn't scrambling to find that coveted first issue of X-Men when it came out, certain we were holding a million-dollar collectible in our hands! What we didn't know was that Marvel was anticipating a sell-out, so they were feverishly printing and reprinting copies of this book.

At first we were proud and excited to say we owned that first issue that was sure to go up in value. Then we noticed comic shops and bookstores were still selling it. Then they couldn't give copies away. Now what could have stood as a landmark collector's item is notorious for being one of the least valuable back issues of the X-Men franchise.

3. Weird Cover Stuff

The 90's were a decade of dazzle for comic book covers. Never mind paper covers...no, the publishers decided what we needed were gimmicks!

We had foil-embossed covers! We had hologram covers! We had more variant covers than you could shake a stick at! We had lenticular covers! We had polybags with and without collectibles!

Some comics came bagged with trading cards! Some covers actually glowed in the dark! A few were die-cut to get them that extra edge! We had gatefold covers that spread out for miles (it seemed)!

Of course, many of the more spectacular cover enhancements meant that the comic itself would cost a little extra that month to cover it. At the time, it may have seemed like a spectacularly cool gimmick to begin with, but soon everybody was on the bandwagon and some months it was hard to find a comic that wasn't decked out in some gaudy cry for attention.

Now this is considered a joke of the comic book industry. Whoever was selling holograms to the comic companies in the 90's retired a very rich man.

I have to admit I was right there grabbing holographic copies of Spider-Man comics thinking I was having something special to give to my sons one day. Now they are stuffed in a box somewhere in the attic collecting dust with my copy of X-Men #1. Still, if you were willing to destroy the comic itself to get the hologram off you had a cool collectible sticker.

4. The Clone Saga

Oh baby, if you want to look at a low point in the 90's, look no further than this "turning point" in the life of Peter Parker. This confusing mess of storytelling reigned supreme as the worst Spider-Man storyline of all time until "One More Day" came out ten years later.

What's so sad is that the original story this is based on from the 70's was actually a pretty good story. The Jackal (Professor Warren) created a clone of Gwen Stacy and later Spider-Man himself. Spidey had to fight the clone and disposed of his body later. The story left just a little ambiguity as to whether our Spidey was the real thing or the clone.

Well, the Marvel writers in the 90's decided to turn things on their ear and say that our Spidey was actually the clone, and the real Peter Parker had been living another life since that incident. Even another clone named Kaine was eventually brought into the story and we were given quite the ride for a while. Peter Parker left with a pregnant Mary Jane to live a hero-less life while Ben Reilly stepped in with a new suit and took over as Spider-Man.

Looking back on this, it's easy to see where this could have indeed been a killer project for Marvel. It really did give them a chance to partially reboot Spider-Man while keeping the long-time fans happy by not erasing years of comic reading. Instead, the concept became so convoluted that even the writers themselves were unsure as to where it was going and who particular heroes and villains were. Aunt May was killed off (something I say should have been left alone) but she was subsequently brought back by saying it wasn't really her that died. Gwen Stacy's clone ran away and we never ever saw her again in any storyline. So many possibilities that were tossed aside.

Because of sales, the storyline continued on for far longer than it ever should have. If three clones were selling, why not add hundreds more and create "Maximum Clonage"? Let's bring back dead guys like Kaine and drag this sucker on for another year! Eventually Peter and Ben had to team up to find out who really was the clone, and we ended up with a reveal that Ben was the clone and Peter was real...or was he?

The only really cool thing to come out of the 90's Clone Saga was Ben Reilly's Spider-Man costume. I'm sorry, but whoever designed that one really nailed it as an incredible update to the suit while still paying homage to the original. I wish they'd still left that one around. It did come out in an action figure though, so it's better than nothing.

As I mentioned before, this was the potential for a reboot that could have worked, but they didn't have this mapped out well enough before they started and it soon became a write-as-we-go-along scenario that was doomed. Marvel had no lower Spider-Man point until they came out with "One More Day".

Two years ago they put out a miniseries by some of the original writers who were allowed to redo the saga in six issues with no interference from higher-ups like last time. In those six issues, they managed to put together a good story that would have made the saga (if they'd been allowed to do it right) one of the highlights of the 90's. Though the story feels rushed in some parts (there are several weeks that pass between most issues so the story can progress in a logical sense) it's still a lot better than the original.

Moments That Made the Bronze (and Modern) Age: The Dark Knight Returns

This one was from the 80's, I know, but I consider this a game-changer for the character. Growing up the 70's to Neal Adams' Batman interpretation that later gave way to the awesome Jim Aparo, I knew Batman was cool and tough. I missed the campy 50's and 60's "fat" version of the character, so I'd always seen him that way. But sales on the title were at a lull and he needed a boost.

And along came Frank Miller.

"The Dark Knight Returns" couldn't be considered a reboot. It's supposed to take place in the future, and to my knowledge it's never been branded an "Elseworlds" title, but at the same time the ramifications were felt back into the "real" version of the character as Alan Moore stepped in with "The Killing Joke" and soon the comic book had a gritty hero again.

What makes The Dark Knight Returns stand out to me is the hopeless view given of Gotham City without its hero. We see this place where anarchy pretty much rules and the police can do little to stop it. Then, over the course of several pages, an aging Bruce Wayne decides to suit up again and stop the madness. He has a monster Batmobile that was a nice precursor to the Tumbler we see now in the movies. In one particularly awesome scene, we see Batman pulling along the mutant leader, goading him into escaping Gotham jail only to find himself in a fight with Batman himself. That's the cool stuff.

I also like how we find Superman aging as well, and not quite the same in his views on everything while still holding on to enough Clark Kent to give us someone to cheer for. And then the Joker was crazier than we'd ever seen him before. I think this story was instrumental in helping everyone perceive him as a true threat to Batman rather than the caricature he'd become over time. 

SPOILER ALERT FROM THIS POINT FORWARD:

Of course, the to-the-death fights in here are what made the story stand out to me. First of all, there is the Joker. How many times have we read: "No more! Tonight this ends!" in Batman comics (even today) and known ahead of time he was just going to put Joker away and let him escape again? But this time...this time was different.

Even though Batman technically didn't kill the Joker (the madman broke his own neck to frame him), it was still nice to see a little closure on this never-ending conflict.

And then we had the throwdown with Superman himself. This fight actually changed the way people saw Batman and Superman after this, with Jim Lee letting him beat Superman down in Hush and everyone else practically making him invincible since then.

And of course, the ending is killer. While the story itself is good, it wouldn't be anywhere near that great if it didn't end well. Fortunately, it does.

Unfortunately, when Miller went back to this universe several years later, he gave the world a horrible sequel that could be consider the "Batman and Robin" movie of the comic book world. It successfully killed the universe for all of us.

The coolest part of this is the fact that the upcoming Batman:Arkham City game will have the option for you to play as TDKR version of Batman, gritty looking and all! It's one of the key reasons I'm buying the game.

While not the best Batman story ever necessarily, it's definitely in the top 5 for me.

Next week, we start a new series of posts called "What I Hate About the 90's". Feel free to chime in about your own hated moments of the "Dark Ages" of comics.

Moments That Made the Bronze Age: Wolverine Begins

When we talk about shining moments of the Bronze Age of the 70's, there is one hero that we have to mention: Wolverine. His first sighting was an almost-unnoticed-at-the-time appearance in Hulk #181, a battle in which he fought the Wendigo and the Hulk, and lost when the Hulk sucker punched him.

He disappeared for a while until he was picked up in Giant-Sized X-Men #1. Ironically enough, the hero wasn't supposed to be a mutant, and his claws were actually just supposed to be attached to the gloves. That meant technically anyone could have become Wolverine later on. The guys are Marvel decided he'd make a good fit, turned him into a mutant, and threw him into the team.

Wolverine was a hit with the rest of the group, but unfortunately Thunderbird and he were both deemed too close to the same character and one had to go. Instead of just retiring the guy, they decided to kill Thunderbird in a toss-up decision that turned out to be the best one they could have made. Imagine how differently the next few years would have turned out if Wolverine had been the one they chose to kill off!

When John Byrne picked up the X-Men, he immediately focused on Wolverine as his favorite because they were both Canadian (true story) and he wanted a cool Canadian superhero. With Byrne's artwork, Wolverine became a superstar and helped propel the X-Men to one of the most popular comic titles of the 80's.

I can still vividly remember the first time I read X-Men #132 and saw that final panel where a soaked and beaten Wolverine finished the issue off with "Now it's my turn!" I couldn't wait for the next month!

When X-Men #133 came out, it did not disappoint. Wolverine was finally given the spotlight with his first solo cover! Inside he was basically the last free X-Man (the rest were captives of the Hellfire Club) and he tore through the faceless bad guys with some amazing action! There was no graphic scene of blood or guts like there would be today, but the story itself was so incredibly effective in every way. After the Dark Phoenix Saga ended, Wolverine got a new costume of brown and orange, and slowly the book focused more on him with the appearance of Alpha Flight, and even the return of the Wendigo.

If you missed out on this golden age of the X-Men, I highly encourage you to grab a copy of the "Essential X-Men" from that time. Even in black and white, Byrne's artwork and Chris Claremont's stories show you why everyone flocked to the title.

Today Wolverine is in just about every Marvel comic you pick up, either as a guest star, team member, or focal point, but back in the 70's and 80's all we had were these once-a-month appearances (imagine that: just one X-Men title a month!) to feed our Wolverine frenzy.

Then in 1982, Frank Miller gave us what we were hoping for: Wolverine's own title. Granted, it was just a four-issue miniseries, but it was wonderful. Having grown used to seeing Wolverine's sleek look from John Byrne's pencils, it took a bit to adjust to Miller's gritty style and his odd way of drawing Wolverine's claws like they were coming out of his fingers rather than the back of his hand. Still, it was Wolverine and he was solo, so I was a happy camper.

Eventually Wolverine moved to a regular solo title with Madripoor as the setting, and the rest is history. Unfortunately, the Marvel execs soon realized that every comic with Wolverine as a guest star sold a bunch, so they started dropping him into every comic out there. His first showdown with Captain America was cool...his "battle" with Power Pack was not. It was a hit-and-miss affair that eventually diluted the character to the point where it was actually more fun trying to find a title that went six months without an appearance by him.

Today he's in Wolverine, X-Force, X-Men, and a few other titles on a regular basis. They've stripped him of his adamantium claws, given them back, killed him off, brought him back, gave him a son and a female clone daughter, and the list goes on and on. But for me, I'll always remember him as the cool yellow-and-blue guy in the X-Men who really gave us something to look forward to each month. I guess in hindsight giving him his own title was the beginning of the end. Maybe he was just one of those awesome secondary characters who was best in smaller doses.

Moments That Made the Bronze (and Modern) Age: The Death of Elektra

There are so many moments to look at in comic history that grabs me, but this particular comic death didn't affect me so much as a kid when I first read it, but the comics that followed actually got me hooked on Daredevil for a short period of time.

I grabbed this one off a spinner rack in a strip mall in Birmingham while my mom was shopping (yeah, I read a lot while mom shopped), read the entire issue, but for some odd reason didn't buy it. I loved the story, but neglected to spend my precious allowance on this issue. Given the current value of it now, it was a big mistake on my part.

What made this issue so interesting to me? It as that amazing showdown between Elektra, a character Marvel had introduced just a few short issues before with the sole intention of killing her off as a major pivot point in the DD series, and Bullseye, a villain who could turn anything he got his hands on into a weapon.

Frank Miller and Klaus Janson were magic in this time of the series. Their gritty art styles worked perfectly for this down-and-dirty fight to the death between two warriors.

The biggest kick-in-the-face moment of the fight for me? That had to be Bullseye using Elektra's own sai to kill her with.

You might not realize how important that scene was until you consider the catastrophic failure that was Ben Affleck's Daredevil movie.  The only potentially saving grace of that film was how it tried to give us this one Elektra storyline including that final death scene using actual dialogue from the comic, and it managed to stay fairly close to those few pages. Say what you will about that movie, they did get that one scene right.

Of course, Daredevil got his revenge later in the story. If this story had been published today it would have taken him the better part of six issues to find Bullseye, confront him, and deal out his brand of justice. In the 80's though, we were blessed with a complete story in that one double-sized issue.

Daredevil, usually a straight-arrow in the Marvel universe, beat Bullseye down and eventually let him drop to a bone-crunching finale. It looked like this cool villain was done for, but we know of course that he came back and became a regular in comic titles everywhere.

But reading that comic at the time, I was stunned by how Daredevil just let him drop. Actually, I was stunned by how graphic Elektra's death was drawn. Seeing it today in light of the gore-filled comics you find everywhere it looks tame, but back then it was a powerful moment simply because you didn't see that sort of stuff unless it was one of Marvel's magazine titles.

As I mentioned, this storyline led to DD becoming involved with ninjas galore and a guy named Stick, and even to eventually bringing Elektra back to life. That was good stuff and I followed this comic for a while after this issue. When Miller left, I did too. It was hard to imagine this gritty character being drawn by anyone else for me.

That Marvel moment grabbed me and didn't let go. I just regret not purchasing that issue when I had the chance. Even though I didn't buy it, I consider it a pivotal issue in Marvel history.

Moments That Made the Bronze (and Modern) Age: The New Teen Titans Begin

In the 70's and 80's, there were a few comics that I consistently picked up as much as my allowance would allow. Spider-Man, Marvel Team-Up, Uncanny X-Men, and then another title came along that pulled me to the DC side of things: The New Teen Titans.

In the 70's I had read a few issues of the Teen Titans, mostly when I saw Hawk and Dove in there. When DC decided it was time to recreate the team, they supplemented a few other comics with a special preview of the New Teen Titans comic.

There were those I recognized instantly (Robin, Kid Flash, Wonder Girl) along with new faces that I didn't (Changeling, Starfire, Cyborg, and Raven). But this series had so much going for it that it couldn't lose in my eyes.

First, the artwork. George Perez knocked it out of the ballpark with every issue he drew. The addition of Changeling's new name and costume (formerly Beast Boy) really caught me. I had never seen him before in his Doom Patrol days, but his ability to turn into animals intrigued me. I have never been a big fan of Cyborg, but this is where he got his start.

This series also launched a few other famous DC characters' careers. Deathstroke the Terminator was introduced in the second issue and quickly became a staple in the DC universe. Looking at how he's crossed over into so many titles (and now thanks to the reboot even has one of his own) it's hard to imagine his humble roots as a new villain from Teen Titans.

Another favorite DC character of mine was the Vigilante, introduced in the second Teen Titans Annual. He was DC's answer to the Punisher (who was Marvel's answer to the old Executioner novels) and had some pretty cool weapons going for him, including gold nunchaku and various guns. He got a series of his own that lasted for 50 issues or so before DC had him commit suicide to deal with all he'd done as Vigilante. That decision sucked, by the way.

Eventually, Robin even underwent quite the life-change by becoming Nightwing. And hey, who could ever forget "The Judas Contract", a storyline in which one of the team--Terra--actually betrayed them to Deathstroke and was eventually killed by the end of it all. That particular story was so powerful that twenty years later Geo-Force (Terra's brother) faced off against Deathstroke and tried to kill him for turning Terra and having a hand in her death. That, my friends, is a grudge!

There are so many other moments in the series that deserve noting, but taking it all back to the beginning I have to say picking up that sampler and eventually the first issue made me a happy camper in the 80's.

Moments That Made the Bronze Age: Days of Future Past

In many of these Bronze Age moments, the story is so powerful that I vividly remember where I was when I read it for the first time as a kid. In the case of this week's post, I was actually in a grocery store called Food World, patiently waiting for my mom to get her groceries while I poured over the spinner rack (remember those?).

The two-issue storyline "Days of Future Past" blew me away as a kid. I realize now that this story probably seems very anti-climatic because of how many times it's been referenced and revisited in various comic book stories. Looking at it for the first time with fresh eyes, however, it's a fairly impressive story for its day.

Basically, we get a glimpse of the future, as in 2013. Mutants and heroes are hated, hunted, and killed. A small band of heroes, including Wolverine, Colossus, Storm, Rachel Summers (our first introduction to her), Kitty Pryde, and Franklin Richards, try to stop this horrible future by sending Kitty's consciousness into her past self on Halloween 1980 to stop the assassination of Senator Kelly. His death paves the way for this horrible, mutant-hating world.

We get an introduction to the new Brotherhood of Evil Mutants (much later Freedom Force) led by Mystique. An epic battle ensues with the X-Men in our present, while in the future the X-Men remaining are killed one by one by Sentinels.

What made this story so special? I guess the thing that got me in the first issue was the dreary future that I was seeing portrayed. My heroes, the X-Men, were not heroes anymore. They were hated by the world. One image in that comic shows a line of headstones with various hero names on it. It was sobering stuff.

I could barely wait for the next month, and I was planted in my same spot reading the follow-up issue, which boldly proclaimed "This issue: Everybody Dies!". And there, on the cover, Wolverine is toasted by a Sentinel!

Again, I can appreciate how reading this today seems boring because, let's be honest, Wolverine has been toasted now probably a dozen times over the years. It seems like everyone who wants to kill him off in some variant or future-based storyline goes for the faithful "burn him alive" routine. However, this was the first time for me.

One by one, my beloved X-Men are killed off in the pages of this comic, even as their present selves fight to stop Kelly's assassination from taking place so the world will not turn out so badly.

In this end, this DOFP world was revisited a number of times in many different ways. The Fantastic Four were a major part in "Days of Future Present", where Franklin Richards came back from that timeline (before he was killed) and tried to recreate things. The four-part storyline was far inferior to the original though.

This storyline was even touched on briefly in the X-Men animated cartoon series of the 1990's, though their truncated version was different in many ways. That just shows how powerfully this particular two-issue venture resonates with the comic world.

Moments That Made the Bronze Age: The Death of Gwen Stacy

People sometimes wonder why I'm so big on the Bronze Age of comics and not so happy about the way things are going today (thus my blog title). I thought I'd highlight a few Bronze Age moments over the weeks to come that show why those comics rocked.

When I was a kid, my first comic book and favorite hero was Spider-Man. I truly cared about the character, thinking Peter Parker was actually just as much a star of the book as Spider-Man himself. I actually started reading the comic a couple of years after the death of Peter's girlfriend, but thanks to Marvel's reprint Spidey title at the time, Marvel Tales Presents Spider-Man, I was able to read it for the first time.

This was the storyline that, for a while anyway, shaped Spider-Man's world. The woman he loved most in the world, and potentially the one he would have married if the storyline had been allowed to progress, was suddenly killed. And this was a serious death in the comic books, not an imaginary story or hoax that would later by wiped away as so many other comic book deaths had been.

Several things make this a pivotal moment in comics to me. First, well, she died. It was the woman he loved, killed by his arch-enemy...but not necessarily killed by his arch-enemy. Oh, Green Goblin had a part in it by knocking her off the bridge, but when you look at that fateful panel as Spidey is shooting his web to catch her you see that tiny "snap" just at her neck, indicating that Gwen was alive when she fell, and that Spider-Man himself had killed her while trying to save her. In other words, Spider-Man failed in the biggest way possible.

Yes, some might say that was a cold-hearted way to do it, but I think it was some powerful writing for the time. Her father had died saving a small child a few months prior and she blamed Spider-Man for that death, never knowing that it was Peter behind the mask. And now, just as Peter is reeling from his death, he loses his love.

Her death elevated her to the status of the perfect woman for Peter. And it shocked comic fans everywhere. The storyline finished up with the death of Green Goblin by being impaled with his glider (a fate that was used in the first Spider-Man film), and he stayed dead for years afterward.

After that, Harry Osborn, Norman's son and Peter's best friend, picked up the mask of Green Goblin and came after Spider-Man for what he did (again, a storyline borrowed for a Spider-Man film...the bad one). This even eventually led to the death of Harry Osborn many years later because he'd been poisoned by the formula used to make him the Green Goblin.

So in this one huge story arch that stretched for years, Peter Parker lost his girlfriend, his arch enemy, and his best friend...and began a relationship with Mary Jane Watson that led to one of the greatest comic book marriages ever. That truly was "amazing".  It shaped Spider-Man's legacy for comic fans everywhere.

Then a man named Quesada stepped in and destroyed all of that for us.

In "Sins Past" he revealed Gwen Stacy--Peter's perfect girl--had actually had Norman Osborn's (the Green Goblin) kids. And those kids grew super-fast and tried to kill Spider-Man later. He brought Norman Osborn back, and then he wiped everything out for the previous 20 years and started all over again. Harry Osborn was back now, but Gwen was still dead. Mary Jane was not and never had been Peter Parker's wife (hey, if Quesada ain't gettin' any then neither is Spider-Man, right?). Quesada's fanboy dreams for the character were complete.

So there you have it, a moment I consider above-the-standard for the Bronze Age of comics (it may have actually snuck into the Silver Age, but again I read it as a reprint in Marvel Tales so it was Bronze to me). It was one storyline that truly did change a hero's life forever until Quesada stepped in.

As we start looking into these strong moments in Silver and Bronze Age comic book history, which ones do you think deserve mention? Which comic book moments stuck with you long after you read them?

Cool Costumes Continued

Here are some more costumes that stand out from the crowd:

Captain Universe 

Though many people have held this power and costume, the basic suit remains the same for everyone. It comes to a person (or even to an animal once) whenever that being is in need of help. After the adventure is complete, the power usually leaves.

For a brief period, the Uni-power bonded with various superheroes like Daredevil and even the Silver Surfer trying to find out what was wrong with it. At that time it took on a more blended look of itself and that particular hero's costume.

The idea of the power and suit being transferred to people in need and then leaving afterward is a nice nod to heroes like Hawk & Dove, while the suit itself is a cool basic blend of white and a universe design.

Punisher 2099

Oh man, I loved this book back in the day. The re-imagining of the Punisher character is hard to imagine, but somehow they stayed true to the character while still giving us something new.

The costume gives a nod to the original Punisher suit. The skull is sill there along with newer concepts like shoulder pads and gauntlets. Unfortunately the character was killed as the 2099 line was ending.

This is one of those titles I'm hoping they'll put out in TPB form someday. Spider-Man 2099 and X-Men 2099 both have a collection, so I don't know why he can't pull one as well.

Red Hood

The first Jason Todd look for Red Hood is a winner. Completely functional in every way and about as sparse as you can make it design-wise, this really is an outfit you'd think a street warrior would grab as he prepared to take down Gotham's biggest crime bosses.

And just think, the helmet keeps him safe from a head shot if any bad guy should get lucky.

Unfortunately Grant Morrison threw him into some sort of crazy costume that looks just plain stupid. Red Hood will return to his original look in the new DC reboot, which may just be the only good thing to come out of that crazy reboot stuff.

The Eradicator

A tough-looking version of Superman's own costume, the Eradicator made his "cool costume appearance" during the Death/Return of Superman storyline time. As for his actions: think of a cross between Superman and the Punisher.

I am the first to say the sunglasses weren't necessarily the best choice of a mask. At the time, however, they did a good job of giving him a reason to wear them (his eyes were sensitive to the light) and it did add to the possibility that maybe he was really Superman in there somewhere.

I think the black-and-blue color theme worked pretty well here and for the subsequent costumes. Unfortunately he died at the hands of Doomslayer in a recent Action Comics storyline.

Jack of Hearts

 A truly crazy-looking guy, Jack of Hearts has a costume that fits his persona. Keep in mind though that the suit was needed to keep his crazy nuclear body from blowing up and killing everyone around him. That being said, it's a good thing it looked like something out of a set of playing cards when he needed it.

 This one has to be considered the most flamboyant costume on this list and Jack is dead now anyway (twice...the second time killing Scott Lang/Ant Man in the process), but he still deserves a spot in here.